“Urbs Intacta Manet’ — Waterford, the Loyal City – the oldest city within Ireland”

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Horseback riding across Ireland for the day

Before I started my Mitchell year in Ireland, I had a goal to find time away from my academic and professional requirements to travel around the country and see as much of it as possible. I was able to make this goal come true over the past few weeks. When the holidays began, I embarked on a journey across Ireland with a group of friends I made at Maynooth. We rented a car and began our journey in Dublin. Over the next few weeks we were able to travel the coastline, major cities, and historic landmarks all around Ireland. Initially, we were nervous the weather would play against us, however we were able to find stretches of sunlight that supported our adventures. One of the best parts of the journey was that it was pseudo-planned. We had a rough idea of where we wanted to end up on certain days, but we also left a lot of time open to make up as we go. Beyond traveling, we were able to experience wonderful activities that include; horseback riding, whale watching, traditional seaweed baths, climbing mountains, and scenic trail walks. We also played golf at various resorts including the opportunity to drive biodegradable(fish food) golf balls into the ocean.

My favorite city on our trip was Waterford. It is a city located in the South-East of Ireland. We stumbled upon it from a tour book that introduced it as Ireland’s oldest city – celebrating its 1100 anniversary in 2014 – with a history that dates back to Viking times. This was quite evident when we arrived, passing Viking inspired boats, museums, and even restaurants. I highly recommend a visit to the so-called Viking Triangle, where there are museums that give an overview of Ireland’s rich history of the Middle Ages. After learning about the history, we visited one of the most iconic areas in Ireland, the House of Waterford Crystal. We toured the factory, met with designers, and were able to find pieces within our price range to purchase!

 

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Waterford Crystal Dining set(every piece even the food is made out of crystals)

Beyond the city, we found a beautiful castle to rent out and experience. We stayed at the Waterford Castle Hotel and Golf resort for a few days. This resort is on the River Suir and as a private island completely detached from the mainland, it required a ferry to bring us over. It was the first castle I’ve stayed in while in Ireland and the stunning views alone would bring me back. It also had a beautiful scenic walk that took us around the edges of the Island.

IMG_1843Ending to our epic adventure around Ireland brought us back to Waterford. We had the opportunity to stay at the Cliff House Hotel, one of the finest luxury five-stars hotels I’ve ever stayed in, with Michelin star food, penthouse, a private pool, and a Jacuzzi outside on the roof for us to enjoy. I remember watching the sun set and knowing that our sore bodies from all the traveling would recover with time, but thankfully the memories would be preserved. I cant wait for the next adventure, and I recommend anyone who comes to Ireland to get out of the city and truly experience all that Ireland has to offer. It is a small Island, but you can spend a lifetime trying to see all its beauty.

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Climbing a mountain

 

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Shoutout to Papa

Last week, while I was back in North Carolina over Christmas break, my grandfather turned 80.

Now, you may think this is a fairly normal event, and that’s because it is.  As I get older, my grandfather gets older at the exact same rate, so at some point it would make sense that he would turn 80. However, this is PAPA (as he is affectionately known to everyone) who we’re talking about. This is the Papa that attended roughly every game I’ve ever played in, at every level I’ve ever played, for every second that I played—and has done so for every grandchild that he has.  This is the Papa whose devotion to his family is beyond incredible, and seems to have no limit to how far he will go for his loved ones. I think 80 sounds old.  Could Papa be OLD? Unbelievable.

Now for some background, Papa has an incredibly cool life story. He was born in Plociczno-Tartak, a little village in northeastern Poland, sometime in November 1935 (though his birthday is in January because his parents wanted him to be drafted later, so they waited until 1936 to register his birth). He lived under Nazi occupation from 1939-1944, until his family was forced to flee into Germany to avoid the advancing Soviet army (his father was a leader in the Ukrainian War of Independence from 1917-1921, and would have been executed by any Soviet forces). He spent a summer working on a farm in East Prussia, before the Germans sent his family to a camp in Austria. After the war, his family slowly made their way to England and then New York and lived there until Papa, who hated New York, ran away to Cleveland at age 15. His family soon followed. In Cleveland, Papa met my Gramma, got an engineering degree, became an All-American soccer player, and did a ton of other awesome stuff I don’t have time to talk about.

Papa soccer pic
Papa showing off his All-American skills, age 77. What a stud

I knew all this. I’ve talked with Papa about his life before—he’s one of my biggest heroes. However, on his 80th birthday (and with the sudden realization that he could one day be OLD), I pulled up google maps and for the first time asked him to not only tell me his story, but to show me as well.

This was an entirely new experience. With a little help (but not a lot—Papa is an engineer and knows his google), Papa was able to show me the house he grew up in Plociczno, and the well they got water from, and the school he learned to read in. And the more images we saw, the more Papa’s memories emerged. Plociczno was on a direct supply line between Berlin and Moscow, and Papa showed me the railroad tracks where German supply trains would pass by on their way to the Eastern front, often accidentally dropping ammunition on the way. He described with glee how he and his brothers would put the fallen ammunition back on the tracks, so the next train would set it off and “scare the hell” out of whatever German conductor was unfortunate enough to run over it.

Papa showed me the railroad station in Vienna where he had his first experience with Americans, as his family huddled in a cattle car (the same ones you see in holocaust documentaries) while American bombers destroyed the station, blowing up the cars on the tracks to the left and right of his but by the grace of God sparing his own.

Papa showed me Kremsmuenster, the camp in Austria where he and his mother spent five years while his brothers and father worked in nearby Linz. He showed me the spot near the river Danube, where he would sit with his father and make fun of the Russians on the other side. After the war, the US and Soviet Union split up Austria along the Danube, and Papa was fortunate enough to be on the US side, where the Russians couldn’t touch him or his father the Ukrainian rebel.

Papa even showed me Corsham, the little village in England where he learned to speak English after the war. If he rode his bike with his friends in one direction he could explore the ancient Roman town of Bath, if he went the other he could play among the stones of the giant henge of Avebury, older than even Stonehenge.

As I listened to Papa’s stories, I was struck by a couple different thoughts. First, I thought about how much Papa’s incredible devotion to family makes sense, now put into the context that family was the only thing he had for so long. Second, I thought about how fortunate I am to live in the time that I do, in the country that I do, with the family that I have.  I thought about how thankful I was that I had Papa, who endured so much so that I didn’t have to. Third, I thought about how wonderful technology can be, allowing my 80-year old grandfather to share with me his memories as a child living under Nazi occupation—even showing me the buildings and railroads—without leaving his living room. That would have been impossible even 10 years ago.

And finally, I thought about the wonderful opportunity that I have with the Mitchell scholarship, because from my home base in Ireland, I can go to all of those places that Papa can’t. I can go to Plociczno, and Kremsmuenster, and Corsham. I can see the house where he was born, and walk along the railroad tracks where he scared Germans, and sit along the Danube where he used to sit with his father. And I can send him pictures—which we both agreed was pretty awesome.

I’ve already traveled a bit during my Mitchell year. I went for a whole month around Europe before the semester started. I’ve traveled a good deal around the UK, and took a trip to Iceland as well. But I just checked, and there are $25 flights from Dublin to Warsaw, $10 trains from Warsaw to Suwalski, and 15 minute car rides from Suwalski to Plociczno. I’ll post pictures in my next blog!!

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What is a heroine?

In my course in Conflict Transformation & Social Justice at Queen’s University, Belfast, and in all of my travels around Europe, I am focusing, broadly, on women. I am consciously examining everything that I read and see through a gendered lens. This process is purposeful, primarily because it is interesting to me to better understand the role of gender in every aspect of life. My research also benefits from this gendered lens: I am researching the complex roles of women as both victims and perpetrators of violence during the conflict in Northern Ireland.

As I have traveled and read and researched, I have primarily focused on ‘misbehaved’ women. By that I mean, women who in one way or another do not live up to their society’s or community’s expectations or adhere to their restrictions. Sometimes this takes the form of being a violent woman; sometimes this means that the woman in question has somehow failed to be a proper mother; sometimes this means that the woman is defying conventional gender norms by becoming a successful scientist in the 1800s. The quality that all of these women have in common is that they disobeyed social norms about how to behave as a woman specifically, not just as a human being.

I love learning about how people of the present (us) represent these women of the past. My favorite women are the ones who are considered rebellious, who are considered ‘misbehaved’ by their communities and by their time, but who I would consider a heroine, a hero. I love when the boundaries between being misbehaved and being a heroine are blurred, and when being one might automatically qualify you to be the other.

For example: Princess Theresa of Bavaria. Theresa was a princess of Bavaria in the 1800s. She was a zoologist and botanist and she traveled extensively to Africa, North and South America, and throughout Europe collecting specimens. In 1892, she became the first and to date only woman admitted to the Bavarian Academy of Sciences and Humanities. According to the Museum Der Bayerischen Konige, today, a bust of Theresa can be visited at Munich’s Hall of Fame (Ruhmeshalle). This bust is one of only four women among more than one hundred men.

Theresa clearly was an incredible woman. But she was, in her time, considered a ‘misbehaved’ woman. She was criticized for her scientific interests even as she was rewarded for her research and contributions to science, because women were not supposed to become intellectuals (not even princesses).

So Theresa falls into two categories allegedly on opposite sides of the spectrum: she is both a misbehaved woman and a heroine. How can this be possible?

What is a heroine? Today’s heroines – in movies, television, books, and real-life – often fit similar criteria as Theresa of Bavaria. If a woman is a rebel, disobeying societal expectations for women’s behavior, she is often lauded as a heroine. But are there other ways for women to be heroes?

Surely there are, but all of the heroines I have come across in my travels and in my research so far have two things in common:

  1. They were criticized heavily by one group of people for their actions because those actions disobeyed society’s expectations for how women are supposed to behave [they were ‘misbehaved’ women]
  2. They have been praised by another group, sometimes displaced from the first by hundreds of years, for those very actions because of the bravery, strength, and resilience required to perform them [they became heroines because they were ‘misbehaved’]

Obviously, this blog post is not nearly long enough for me to thoroughly explore the topic of “what is a heroine?” – and thus I plan to continue to explore the relationship between misbehavior and becoming a heroine during my remaining months in Northern Ireland.

 

Further information on:

Theresa of Bavaria

  1. Wikipedia page on Princess Theresa of Bavaria
  2. Further information available at the German National Library

Misbehaved Women/Misbehaving Women

  1. The Importance of Women Misbehaving
  2. Misbehaving Women and the History They Made Over the Ages
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Are We Different?

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I have a best best friend forever. She is kind and thoughtful and funny and she can perform one-handed cartwheels with her eyes closed. “Tara,” she says, the corners of her mouth slowly forming a smile. “Have you ever seen a pig play a tin whistle?” I’ve never considered such a question. “No,” I tell her. “Have you ever seen a butterfly ride a bike?” We burst into laughter.

My best best friend forever has Autism Spectrum Disorder (ASD). Every Tuesday, I spend two hours at a youth café with her and several other 11-14 year olds with ASD through my role as a volunteer for Galway Autism Partnership (GAP).

Over the past few months, I have discovered there is no one picture of autism; indeed, each of the youth I work with have different challenges and strengths and interests, as well as unique ways of perceiving their environment and communicating with others.

Contrary to common mischaracterizations of ASD, their diagnoses do not make them broken or weak. Nor do they need to be fixed or pitied – only understood, respected, and supported.

The late neurologist Oliver Sacks once asked: “Is there any place in the world for a man who is like an island, who cannot be acculturated, made part of the main? Can the main accommodate, make room for, the singular?”

The answer, I strongly believe, is yes. However, it relies on the attitudes and values promoted in our communities; the compassion and tolerance we practice for one another; and a reverence for diversity – of seeing, and thinking, and being – that we must each protect.

We have all felt like an outsider; we have all felt loneliness and isolation; we have all misunderstood and been misunderstood. And maybe, in this way, it is because we have all carried the experience of being different, or abnormal, or alone, that we – whether autistic or not – are not so different after all.  Indeed, perhaps Sacks should have considered the possibility that there is no main, that we are all islands in the sea – only, as William James had noted, “separate on the surface, but connected in the deep.” To traverse the seas of prejudice, apathy, or conceit that lie between us may be the hardest, but most important, thing we can do.

I don’t wish to trivialize or simplify the struggles or the experiences of individuals with autism and their families – ultimately, I can only remark on the way these kids have made me feel. And that is that they have allowed me to find a home many thousands of miles away from home – a place without judgment or condescension where we can appreciate and strive to accept each other, where we can feel most wholly and completely like ourselves. They have allowed me to learn to consider the world in ways I could not grasp on my own. They have filled me with patience and love and gratitude. And most importantly, they have made me realize, over and over again, that despite all the differences we possess, each and every one of us is merely human – and, in this regard, neither superior nor inferior to one another.

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A Photo Journal of my Holiday Holidays

The Mitchell Scholars Whatsapp messaging thread is a traveller’s dream. All semester long, impossibly exciting plans pop up weekly. “I’m going to Iceland next weekend, who wants in?” “Anyone up for Morrocco in February?”  “Planning a trip to fabulous city in literally every single month we have left in Ireland, who’s free?” My initial impulse is always a resounding ‘yes!’ but the reality of my program is usually a resounding ‘ha!’. Since I’m studying theatre directing, a lot of my coursework requires me to be in Dublin, on campus, working around my actors’ schedules outside of classes. Weekends are prime rehearsal times, so I’ve had to wish my fellow Mitchells well and then drool over their travel photos on my phone while hiding in the bathroom on breaks from rehearsal, which I almost never but sometimes often do. Don’t feel too sorry for me, though- I love my program!

When I found out I received the Mitchell Scholarship last November, my heart soared with all the travel possibilities a year studying in Europe would afford me. I have had some very exciting travel opportunities in the past (friends living in Hawaii, backpacking through Vietnam, staying in a fully sustainable handmade clay house on top of a mountain in a cloud forest in Costa Rica) but Europe is still largely unexplored territory for me. I had toured Ireland with my dance school when I was a teenager and returned in 2014 for some travel photography but had never been anywhere else in this part of the world.

I snuck a quick weekend trip to London with my classmate Andy during Reading Week and hopped up to Galway with a few Mitchells on a bank holiday, but otherwise I’ve been firmly Dublin-rooted, grappling with the challenges and rewards of a very demanding one year fine arts degree. Before I left home, I was convinced that I’d be fine spending the winter holidays away from home. A year seemed like such a short period of time and I decided that if enough of my family came to visit me in Ireland, I’d have no need to return to NY before the year was up. My boyfriend booked a monthlong ticket to visit me here and travel together months before I left for Ireland. I had a plan; to go on holiday during the holidays.

And then

Homesickness.

Creeping in everywhere. When I’m tired. When I’m listening to the radio. When I’m doing homework. When I’m walking to class. When I’m eating breakfast.

Jorge’s ticket was bought, our excursions to Barcelona and Paris were planned, the holidays were speeding near and I was beginning to regret not scheduling a trip home. Fun fact- I’m almost 30 and I’ve never lived more than 3 hours away from my family. The longest I’ve gone without seeing them is approximately 7 weeks.

The final weeks of the semester were a blur. I performed in a collaboration with designer Valentin Eisele (video here), pulled two all-nighters to finished my end-of-term assignments early and scooped my boyfriend up at the airport for a joyous reunion. I gave my fellow Trinity Mitchells (Rishi and Stephen) a final farewell hug for the holidays before they jetted out of Dublin. Below is a taste of my 3+ weeks of traveling, which took us to Barcelona, Zaragoza, Paris, Provins, Wicklow, Sligo, Birr, Liscanor and Quilty.

The view from above- flying into Spain.

Billowy Barcelona.

Playground pitstop between Barcelona and Zaragoza.

Pulpo a la gallega at Pulperia O’cachelo in Zaragoza- one of my top 5 meals in LIFE.

The breathtakingly beautiful Monasterio Veruelo near Vera de Moncayo, Spain.

Attention to detail in Barcelona.

The bread in Paris. That. is. all.

Bumping into Belfast Mitchell Scholar Rachel at the Louvre!

Skyping with Santa Claus (my father) from Paris.

Notre Dame.

A little hint of home!

 The Eiffel Tower.

Caving in Provins.

Cemetery of a monastic city in Glendalough

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Recreating one of my favorite recipes from my mother on a wood burning stove!

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Mossy close-ups in Sligo.

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Hiking around the Ox Mountains.

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Enchanted forests! Seriously.

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Two of approximately one million farm animals I photographed.

Though I’m already planning a nostalgia-packed Thanksgiving-Christmas-New Year for 2016 with my family to make up for lost time, I’m really grateful for the experience of these past few weeks. A holiday to remember, for sure.

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Not In Kansas Anymore

After spending the holidays with my family in the US, I flew back to Ireland a few days ago. It’s a long commute: a two hour drive to JFK, six or so hours to Dublin Airport, and then a three hour bus ride to Galway. I always find the last leg of the journey (that is, from the Galway bus station to my house) the worst part. It’s only a fifteen-minute walk, so unless it’s pouring rain, I don’t feel justified in hailing a cab. I cut a sorry figure, dragging two suitcases while carrying a heavy backpack.

Something happened on that final stretch of the commute that really made me realize how different Galway is from New York City. As I trudged along the mucky sidewalks, a man stopped me to ask if he could help. For a moment I froze while he reassured me in his pleasant Irish brogue, but after I looked at his smile and his dog, I grinned back.

In New York City, I would have been more likely to call the police than hand over my suitcase to a stranger. In Galway, with barely a second thought, I gained a casual conversation and an all-around enjoyable walk home. I’m not saying it’s a good idea to hand over your belongings just because Ireland is a generally friendly place (in fact, people say that Galway is the friendliest city in the world). But I will say that I have personally undergone an immense attitude adjustment in the last few months. In the past I would have used words like “anxious” and “serious” to describe myself. Now I feel much more open and free.

See fig. 1 for another example:

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In the United States, rain was my worst enemy. I bundled up in a hood and umbrella and frowned as I slumped to class. I had three pairs of rain boots to cover every occasion. I carried emergency hair gel for when my ‘do inevitably got ruined. I spent my time in the rain feeling sorry for myself, and it rained a lot in New England.

See fig. 2 for comparison:

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Both the worst and best thing about Galway is the wind. It’s terrible because umbrellas are useless and even your hood will get blown back. But after a while, I got used to getting wet on my thirty-minute walk to class. And finally, I discovered why the wind is great: I can sing as loudly as I want because nobody else on the sidewalk can hear me over the wind.

Cartoons and joking aside, I am looking forward to seeing how I will continue to change over the course of this second semester. My creative fiction teacher once commented that so few authors write about happiness – electing, instead, to focus on the absence or pursuit of happiness. I can say that right now I am happy, and I will carry that with me for the rest of my life.

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STUCK: An Overly-Dramatic Account of a Minor Inconvenience

I’m admittedly not a great traveler. I can’t sleep on busses or planes, and don’t handle jet lag particularly well. I am also an accomplished victim of motion-sickness. One of my finest works was vomiting for the entirety of a 9-hour car ride coming back from a family ski trip despite taking Dramamine. (Even amongst my family’s storied history of vacation illnesses, that was a Hall of Fame performance.) I also have an irrational fear of being late for planes because of a scarring experience a few years ago at JFK. Despite all of these issues, I actually like traveling, and I absolutely LOVE airports.

For my flight home from Dublin in December, I was extremely excited, so I over-prepared in grand fashion. I had enough Dramamine and snacks to last weeks, and I was at the Dublin airport well before dawn for my mid-morning flight. I couldn’t wait to spend a few hours strolling through the duty-free shops, drinking coffee, and watching planes defy gravity and take off into the sky. As luck would have it, my flight was even a bit delayed, giving me more time to relax. Little did I know, that small delay would grow. Significantly. The following is a brief account of my unexpected day at the Dublin airport:

Hours 1-2:

Security line moves swiftly. Excitement ensues. Snacks are consumed in bulk. Window shopping abounds. Podcasts are flowing. No gate assignment, no problem. A 2-hour delay isn’t so bad.

Perceived time to flight: 3 hours

Hour 3:

Sunrise! Despite a few clouds, it was exceptionally beautiful. Classic Ireland.

Perceived time to flight: 2 hours

Hours 4-5:

Lack of sleep induces tired state. Coffee remedies situation. Window shopping is completed. Gate still not assigned, flight delayed another hour and a half.

Perceived time to flight: an increasingly skeptical 2 hours

Hours 6-8:

Hunger arises. Snacks simply will not do any longer. Apologetic airline conveniently gives out vouchers for free meal! Cheeseburger consumption ensues. Flight pushed back another 2.5 hours, but we are told to complete US Customs Preclearance. Progress.

Perceived time to flight: 2 hours

Hour 9:

Dark times. Lunch has induced lethargy. Shopping options after US Customs are nonexistent. Podcast reserves have been exhausted. Phone battery approaches perilous low, all outlets have been claimed by other passengers. Luckily the delays seemed to have stopped.

Perceived time to flight: 1 hour

Hour 10:

Delayed yet again, still without explanation. The sun sets literally in the sky and figuratively on my demeanor. My love for airports has been put to the test.

Perceived time to flight: 1.5 hours

Hour 11:

Hope. The plane has arrived and boarding will begin soon. I have secured an outlet. As my phone recharges, so does my spirit. I’m going home!

Even though the trip wasn’t perfect, my time at home absolutely was. I was extremely fortunate to spend Christmas with my family and to ring in the New Year with many of my closest friends. While it was hard to say goodbye again to the people I missed the most, I’m excited to be back in Dublin for the rest of my Mitchell Year.

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New Year’s Eve

 

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Waking The Nation/ #wakingthefeminists

Approximately one year ago, I was in Brooklyn speaking over Skype with Serena Wilson and Trina Vargo as a semi-finalist for the Mitchell Scholarship before dashing off to the Brooklyn Prospect Charter School to work with a group of female students on a multi-disciplinary arts program called Emerging Voices. I was asked, “Why do you think there aren’t more female theatre directors?” I answered, “For the same reason there aren’t more scholarship organizations run by two women.”

I was very drawn to Trinity College/The Lir’s MFA in Directing for its strong ties and mentorship with very talented and successful female directors (namely Annabelle Comyn and Louise Lowe). I obtained my first Master’s degree- a MFA in Acting- at Brooklyn College under the guidance of a predominantly female faculty (Judylee Vivier, Mary Beth Easley, Rose Bonczek, Charlotte Fleck and Laura Smith). Having strong female role models has shaped my career for the better and inspired me to continue to push the boundaries that my predecessors have spent their lives pushing. Though still in its formative years (the first MFA group began studying in the fall of 2013), The Lir has demonstrated a commitment to developing female talent.

The Lir’s MFA classes since 2014:

Playwrights: 67% female

2014- 4 female, 1 male

2015- 4 female, 2 male

2016- 2 female, 2 male

Directors: 64% female

2014- 2 female, 1 male

2015- 2 female, 2 male

2016- 3 female, 1 male

Designers: 65% female

2014- 5 female, 1 male

2015- 2 female, 1 male

2016- 4 female, 4 male

These numbers look pretty impressive, but the long-simmering question “Does it translate to the real world?” erupted into a full boil in Dublin last week.

The Abbey Theatre was the English-speaking world’s first state-subsidized theatre. Also referred to as Ireland’s National Theatre, The Abbey is the most heavily supported by the Arts Council (a government agency), receiving €6.2 million in 2015, compared to the next largest allocation of €1.42 million for the Wexford Festival Opera. The Abbey recently announced the lineup for one of its most historically significant seasons yet- the centenary of the 1916 Easter Rising. Out of ten plays included in the season, entitled Waking the Nation, only one is by a female author and only three are directed by women. The Dublin theatre community was understandably outraged and responded swiftly. In response to the criticisms, Artistic Director Fiagh McGonchail tweeted:

Fiach Mac Conghail Tweet

The suggestion that there isn’t enough female writing of merit crossing the desks of large, publicly funded theatres is initially offensive but ultimately symptomatic. My immediate community in Dublin has been very vocal in response. My colleague at The Lir, playwright and performer Erica Murray, recently wrote an open letter to the Irish Times where she expresses her disappointment in The Abbey’s programming. She closes her letter by asking “…Why should I go and support my national theatre when I cannot see the female voice being represented or respected?” Another colleague, MFA Director Laura Bowler shared a video response about the personal repercussions of an institute that should be representing her choosing not to.  “…Dead men are still taking precedence over living women. …Why educate if we can’t translate these words that live in us to the stage? …When you only listen to half of us you only get half the story.” My Dramaturgy professor, Karin McCully, is quoted on the Waking The Feminists blog as such; “…Women are everything in drama, the core of the conflict, the catalyst to action, the soul of inspiration, the poetry in action. That their talent as theatre makers should be so consistently ignored and sidelined threatens to undermine our other recent achievements towards equality and threatens to poison us at the roots.”

None of this feels unfamiliar. Year after year, statistics about the state of American theatre suggest that the population (and indeed, the actual audience) are nowhere near close to being represented by the theatre industry. Results were recently released by the League of Professional Theatre Women in a study called Women Count which analyzed 455 off- and off-off-Broadway productions of 22 different companies over five seasons (‘10/’11- ‘14/’15). Over the span of five seasons, 30% of the works were by female writers, 33% were directed by women and the numbers for design were even more abysmal (set designers 22-36%, lighting designers 8-16%, sound designers 14-22%). The only two roles where women dominated were costume design (61-79%) and stage managers (72% over the five years, compared to the 70% national average), suggesting that most of American theatre is at least confident in a woman’s ability to create clothing and keep things running behind the scenes (both ENORMOUSLY valuable tasks).  

The response of several artistic directors and theatre programmers was that they simply couldn’t find enough quality plays by women writers. The Kilroys created a list in 2014 and again in 2015 of the most recommended new plays by female and trans writers. Each play that made the list in 2015 received between four and twenty nominations from theatres, directors and producers across the US. Perhaps it’s time for Ireland to do the same?

Due to social, economic and cultural factors, the female creative resources have been buried a bit deeper than their male counterparts, but are no less valuable, vital and worth the trouble to mine for. After a week of raging debates through news & social media outlets, The Abbey released this response today (9th November 2015).

I’ll be attending the #WakingTheFeminists Public Meeting on Thursday, November 12th with the entire 2016 Class of MFA Directors, Designers and Playwrights from The Lir, led by our Contemporary Theatre Practice mentor, Professor Thomas Conway. The Waking The Feminists blog is a great spot to get the latest information. There’s a petition here asking for economic parity for women in theatre, sustained policy development on inclusion and equal rights and advancements for female theatre artists.

There is no route around the fight for gender parity in the pursuit of a theatre representative of the times it is derivative of. Any progression forward collides with this issue in Ireland, the US and the world. The voices we hear will only be as diverse as those to whom we pass the microphone.

Resources/ Further Reading:

Waking the Feminists Blog

Waking the Feminists Petition- Change.org

“Them’s the Breaks”: Gender Imbalance and Irish Theatre

Anne Harris- Why There Are Too Few Women in Theatre and Politics

The Women’s Podcast: Episode #9- Women at the Abbey Theatre, Cecelia Ahern

Laura Bowler- “We’re not asleep”

Erica Murray Letter to the Editor- Female Playwrights and The Abbey

Statement on Behalf of the Board and Director of The Abbey Theatre

Women Continue Being Underrepresented In Theater Despite Being Half The Population

League of Professional Theatre Women- Women Count Results

The Kilroys

The Kilroys Are Here: Women Playwrights Put Spotlight On Gender Disparity
Parity image from Getty Images.

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Homecoming

Dia daoibh!

I have a deep affinity for all things Irish. This enduring fascination with Irish culture was a predetermined eventuality put in place long before I was born. Seven of my eight great-grandparents emigrated from the Emerald Isle to the United States; the remaining eighth branch of the family, my patrilineal Golden ancestors, also came from Ireland, albeit several generations earlier in the 1840s during an Gorta Mór (the Great Hunger). Thus, I grew up in a home in which we observed many Irish traditions and beliefs combined with the influence of several generations spent in the greater New York City area. In short, I come from a distinctly Irish-American household. I was also fortunate enough to know two of my Irish great-grandmothers in my youth, one of whom survived the Spanish Flu pandemic of 1918 that left her an orphan and ultimately forced her emigration to the United States. My immediate family lived in close proximity to Grandma O’Brien; we visited her frequently and spent every New Year’s Eve with her until she passed, at which point I was well into my teenage years. The stories that she told me about her home, coupled with the stories passed down through the generations about Ireland, left an indelible mark. I was in love with the land well before I even visited for the first time in 1998, and that first visit along with subsequent journeys deepened my affection for all things Hibernian.

In our first two months here, my wife Megan and I have immersed ourselves in different aspects of Irish culture. We have taken Irish language courses, Irish dancing lessons, Irish history courses, and an Irish literature course. We have attended several GAA matches in both hurling and Gaelic football. We have spent our weekends exploring the Irish countryside and attending Irish storytelling festivals. Yet by far my favorite experiences have been those spent connecting with the relatives I have here in Ireland. Several weeks ago, we attended my third cousin’s baptism. We were treated to such a warm and celebrated welcome you might have thought we were returning home after years abroad, not meeting distant relations for the first time. I now receive biweekly phone calls from the cousins I connected with to invite us to even more family gatherings.

My wife and I married shortly before we left the US for Ireland, so this is the first home that we have shared. It seems fitting that we are embarking on this lifelong journey together in the same place that so many of our ancestors also began their own journeys into uncharted territory. I knew that the circumstances that enabled me to receive the Mitchell Scholarship and participate in this joyous reunion were in their own way victories over the poverty, disease, and famine that forced my family out of Ireland. And there, together with my wife and many cousins at that baptism in Tipperary, I felt at home.

Sláinte agus saol agaibh!

 

Exploring West Cork

Exploring West Cork

 

Posted in class of 2016, Irish Relatives, University College Cork | Leave a comment

A Sense of the Familiar — Judaism in Ireland

As I prepared to begin my year in Ireland, I was confronted by countless unknowns. Questions about classes, food, and travel circled in a brew of anxious excitement. But with the holidays of Rosh HaShanah and Yom Kippur happening only a couple of weeks after the date I was due to arrive in Dublin, one question was at the forefront of my mind: what is it like being Jewish in Ireland? After going to college on the Upper West Side of Manhattan and being part of a young and vibrant Jewish community, I could not imagine what it would be like living in a country where the entire Jewish population is smaller than the congregation at the synagogue where I grew up. A Jewish life requires community, something I have been surrounded with my entire life. With fewer than 2,000 Jews remaining in Ireland, I was unsure what I would find.

The City of Dublin -- First Impressions

The City of Dublin — First Impressions

My anxieties were quickly relieved when I attended Rosh Hashanah services at the Dublin Hebrew Congregation. Located in a suburb outside of Dublin, the synagogue, one of three in the city, is a locus of Jewish life in the city. On the first night of Rosh Hashanah, its relatively large sanctuary was filled with a diverse set of people—Irish, French, Israeli, Canadian, American—all preparing to welcome in the new year. Many, like myself, had only recently arrived; some were students studying abroad for the semester, while others were just starting jobs in Dublin’s tech sector. Surrounded by familiar melodies and warm faces, I felt the sense of homely comfort that a synagogue, no matter where in the world, can often bring. Over the course of the semester, I have returned many times to the synagogue, often with the other Jewish Mitchell Scholar from this year’s class, Julianne, joining Dublin’s Jewish community for holidays and Shabbatot. The Rabbi and his family have been particularly welcoming, having us over for delicious and conversation-filled Shabbat meals every time we are at synagogue on a Friday night. Throughout the semester, the synagogue has supplied a sense of mooring as I have explored the beautiful, enchanting, and sometimes strange Irish world.

Exploring European Jewish diaspora communities -- the Portugese Synagoge in Amsterdam

Exploring European Jewish diaspora communities — the Portuguese Synagogue in Amsterdam

In New York, with its numerous synagogues and highly active communities, there are many options for how to practice one’s Judaism and you can be sure of finding others who are like-minded in terms of beliefs and observance. In Dublin, there is a distinct feeling of a stubborn community with a historic past that refuses to disappear—a characterization that fits many other small Jewish communities in the world, including that of Amsterdam, which I also had the good fortune of visiting during the semester.  Further, it is not a fight without struggles—a topic I intend to return to with regard to Dublin’s Jewish museum in a future post.While attending University College Dublin, I may not be surrounded by the passionate engagement with Jewish diversity and pluralism that I experienced at my undergraduate institution, but I do have an opportunity to observe, learn from, and participate in a different kind of passion—that of a community fighting the forces of age and emigration to keep Ireland a place where one can live a Jewish life.

Posted in class of 2016, Religion in Ireland, University College Dublin | Leave a comment

Life on the Lough

8×10″ Watercolor and Ink, 2015

I don’t like to ride my bike against the wind. So I often double back alongside Lough Atalia, letting the air guide me past the expansive lake. I learned early on in the semester to always leave for class two hours early. Then I can allow myself to stop, to get lost, and to appreciate the chattering streets of Galway in the autumn.

In particular, I always dismount my bike halfway down the road so I could stop and look at St. Augustine’s Well. Sometimes the entire embankment is flooded over with water and swans, but occasionally I can walk right up to the well and its cross. There are so many swans in Galway. They put me in mind of funny water cats with the way they approach for food, only to glide away, shielding disappointment with elegance.
The noises of cars rushing by mix with the calls of the birds, and of children and dogs in the park nearby. On days when fog rolls over the entirety of the lake, I sit on a bench and imagine that there is no boundary between lough and sky.

A rare clear day on the lake.

With no synagogues in Galway, I sometimes wring my hands beside that hidden well, mixing Jewish guilt into borrowed Catholic spirituality. I never considered myself particularly religious, but come Friday nights I inevitably take the long bus ride to Dublin where I can attend services.
After Shabbat services, the Rabbi collects all the foreign stragglers into his home for a dinner. At a recent dinner he told a story, both distinctly Jewish and Irish:

A man tries to visit his Rabbi. The Rabbi turns him away at the door, shouting and screaming, forcing him away. The man is distraught by rejection, and sits on the curbside crying. A group of passerby see his distress and bring him with them to the pub. Together, they toast, “L’Chaim!”  – A Hebrew phrase meaning, “to life”.
When the man next sees the his Rabbi, the Rabbi explains, “When you came to my door, I saw the Angel of Death behind you. I tried to scare you away so you could spend your last remaining moments with your family. But now I see you are well, and the Angel of Death has departed!”
The man, confused, explains that he never made it home, and instead drank with strangers. The Rabbi understood and says, “Every L’Chaim shared amongst friends encourages a small bit of life.”

“L’Chaim,” we toasted one another.
Time moves slowly in Ireland and yet the air thrums with vibrancy, of life lived consciously. Shabbat dinners last until midnight, as strangers become friends. The walk to school takes hours, paths ever changing, guided by a kind of lackadaisical curiosity, and saturated with questions of permanence. Likewise, my hand now moves slower as I paint, influenced by the humor and tranquility of swans that inquire after food from one who is watching the fog.

Or you can just feed the poor buggers.

Posted in class of 2016, National University of Ireland Galway, Uncategorized | Leave a comment

One Little Journal

Before I started my Mitchell year in Ireland, I had the incredible opportunity to spend three months wandering around Europe and India. With a backpack and a fledgling sense of independence, I embarked on my little journey to experience a new set of countries, languages, cultures, and people.

Though I didn’t keep much from the trip, I did keep a small little journal that was a gift from a dear friend in California as a goodbye present. Looking at that journal over the past couple of months has been a constant source of amusement. Near the beginning, I was still my same logical and analytical self – furiously scribbling down each and every activity and restaurant as if writing it down would make the experience last. Almost like an accountant, I subconsciously seemed to feel that if I correctly summed the experiences I had on the small pieces of paper I could somehow prove to myself and others that this trip actually existed.

Over time, the contents of the journal shifted. At about the halfway mark of the trip, there are these funny little drawings. I was couch-surfing with a student in Antwerp who kindly invited me to a family dinner at his aunt’s house. As we sat around the table, full after a delicious meal, we decided to have a contest to see who could make the best still-life drawing of a bowl of vegetables on the counter. My journal was now filled with oddly shaped zucchini drawings as well as the scribbles of my host’s three-year-old niece who thought it was quite funny to draw arms and legs on my vegetables. Safe to say our collaborative process won the contest.

My journal captures an internal shift that I’m starting to see and hope to continue. Though I appreciate the fact that I’ve spent the majority of my life in a very focused and concentrated fashion, I look at my time in Ireland as an opportunity to challenge another part of my brain. The part that seeks to experience small moments of beauty in the many wonderful people and places I experience, the part that finds value in the little drawings as opposed to the laundry list of activities.

Now, I’m definitely not trying to tell the “traveling has changed me forever” story. I’m still quite obsessed with my ambitions, work, and various other worldly pursuits. But I will say that taking a step out of the constant work cycle that seems to occupy undergraduate life in the United States has given me a much needed breather, a time to actually evaluate my thoughts and see where they are taking me. That little journal captures a bit of peace, a feeling of wonder that I hope to channel and apply to my day-to-day life. Though I can’t say I’ve discovered the right balance yet – I’m blessed that I have the opportunity to try.

Posted in class of 2016, Irish University, Travels in Europe, Trinity College Dublin | Leave a comment