Backyard Mythologies

A few months into my Mitchell year I looked around my bedroom and realized I had accumulated a lot of artwork. Sketches lined one wall from floor to ceiling, some hidden behind stacks of canvases. I had framed two drawings “just because” and quite frankly it was getting hard to use my desk for studying as it was covered in paper and paint.

Almost as soon as I began to consider finding space for an exhibition, fellow Mitchell Scholar Rishi Ahuja approached me and asked if I wanted to have an art show in Dublin on behalf of 100Minds, a social enterprise that connects hundreds of Irish college students to raise money for a single charitable cause. This year, each student agreed to raise a thousand dollars for Childline, a chat service for children to reach out for help and support.

“Absolutely,” I said without a second thought, because I have never turned down a visual arts opportunity in my life. It took us a few more months to hash out the details. At the time I was working on two separate bodies of work. The first was a time-intensive series of abstract paintings. I used rapidograph pens to outline shapes from flowing watercolor paintings. Those paintings came from ideas of my own disordered sensory perception and how difficult it is to comprehend a scene, which involves deconstructing an overwhelming combination of colors, contours, and perspectives. My methods of drawing assumes the opposite process of creation rather than deconstruction.

My second body of work was more illustrative in nature, as deferential to absurdity as to beauty. I drew everything from a heron catching gummy worms to an ornately decorated pizza floating in space. With two very different bodies of work, I began looking for their common language. I found it in the repetitive markmaking. Just as my drawings pay homage to the sensory overload of sight and texture, so do my paintings obsessively document the separation of one color from another. Childlike delight and imagination is countered by underlying questions of escapism, of a visual that attempts a sense of control as it rides the line between aesthetics and lethal self-awareness.  From color story to content, I let my pieces influence one another and come together into a single body of work.

An art show is no small commitment. Panic set in about a month before the opening. Somewhere along the road I had started creating large-scale abstract paintings on my iPad. I wanted to print on aluminum, which meant I had only two weeks to finish four paintings. I was on a similar timeline for the many illustrations, all of which had to get framed.

The show itself was stressful and I think perhaps Rishi did not realize that he had chosen one of the hardest, most expensive, and most time-consuming methods of fundraising. Luckily we received support from all ends, from the framer who gave us a fifty percent discount to the 3fe café, who hosted our show and donated refreshments. I’m always an absolute mess but I was fortunate to have help from Dan Listwa, who helped install; Vincent Hughes, my friend from Galway who photographed the event; and Caroline McEvoy who handled a lot of the behind-the-scenes details and brought along her friends to work the show. I feel humbled when I think about how many people came together to make the show a success.

My stress dissipated as soon as our guests began to arrive, which I think is when Rishi’s stress really began. It was his job to lock down sales. I, on the other hand, was able to relax with a glass of wine and talk to all the Mitchell Scholars who showed up in support. It was a celebratory week for us, as we had also gathered a few days prior at the Lir to view Keelie Sheridan’s midterm performance art show.

In the end, our fundraiser was successful. The show felt like cathartic, a culmination of all my learning and experiences this year. Even though I’m still in Ireland for one more month, it’s like completing a video game and just having fun in the bonus levels. Well, if the bonus levels are graduate finals and a thesis…

I stress out before the opening.

I stress out before the opening.

Dan helps me with install.

Dan helps me with install.

Hanging the aluminum paintings.

Hanging the aluminum paintings.

Rishi and I are happy at the end of the night.

Rishi and I are happy at the end of the night.

 

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Galway City to Mt. Brandon: My Cycle down the Wild Atlantic Way

I finished exams on May 4, spent a week viewing rooms in Dublin–I will be moving there at the end of the month to work on a natural resource valuation project at ESRI–and then waited impatiently for the Galway bike shop to finish tuning the old, fire engine red racer I bought on DoneDeal for 110 quid last September. On Friday morning, I set off on a trip that will be one of the most memorable experiences of my year in Ireland.

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Last Friday cannot be described as anything less than Glorious. I was brimming with excitement as I rounded Black Head, the official end of Galway Bay and a stretch of road I know well from the many days I’ve spent with the NUIG surf club. Feeling confident on the familiar road and sucking the still-cool morning air, I cycled hard and fast. At Doolin, I detoured to the pier to check the waves out at Crab Island, filled up my water bottles, and then turned up the winding track to the Cliffs of Moher. The elevation gain made for a beautiful looping coast down through Liscannor and into Lahinch, where I paused to cool off in the ocean. From Lahinch, I followed the Wild Atlantic Way down through Spanish Point, Quilty (the tide was low, so the sea fields were well exposed), Craggaknock, Doonberg, Kilkee, and Kilrush.

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On Saturday, I explored Loop Head, the westernmost peninsula in County Clare. Highlights included seeing the stud farm in Carrigaholt, hiking all over Aill Na Brun, which was being taken over by the Star Wars film crew as I was there, and watching the sun fall over the Kilkee cliffs. As I was climbing a hill late in the day, a very elderly man drove past me, made a U-turn, and then pulled up alongside. “Howyah!” he shouted across the passenger seat. Gordon explained that the pink wildflowers blanketing almost every un-grazed patch of ground are called Sea Pink, and they only grow within approximately 100 yards of the ocean. He has been coming to Loop Head every May for decades to look at the Clare flowers. Before we part, he lets me in on a secret: there’s a stunning prehistoric ring fort just off the main coast road, and with his directions, I find it. I finish the day in Kilkee, arriving in time to see the sun fall into the bay.

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Sunday I crossed the Shannon estuary and continued my trip south into County Kerry. I saw Carrigafoyle Castle, which was besieged and partially destroyed by the English on Easter in 1580, and rested at Ballybunnion, which overlooks a sun-soaked cove. After trading stories with a DCU student who had spent a summer in California on a J-1, I set off for Tralee.

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I had thought that I had seen the most beautiful part of the west coast on Loop Head—and in some ways I think that characterization is still true—but Dingle is otherworldly. The fog on Monday morning concealed the first of the Dingle mountains, Mount Baurtregaum, until it was looming over me in all its glory. Horses roamed the unfenced fields in Ballycurane, and I followed a scratch of a track out to a secluded white sand beach that looks directly across to Brandon Bay. The water was a near-perfect azure and not nearly as cold as I expected. At Cloghane, I began my climb up the breathtaking Connor Pass, on the other side of which lay Dingle.

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Endorphins surging from the descent into Dingle, I pedaled straight to Murphy’s Pub, where I met my good friend from NUIG and serious Irish cyclist, Tomas An T-Saoir, who was just getting off of work. We set out straight away for Slea Head, the westernmost point of Ireland and named by National Geographic as the most beautiful place on Earth. Disney seems to agree, because we passed two more Star Wars sets: one off of Coumeenoole and one near Rosroe. We ended the day by cycling the short distance to Tomas’s family’s pub and B&B, Tigh an tSaorsaigh.

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Tuesday was day five, and the good weather unfortunately broke. Tomas and I cycled the final stretch of Slea Head out to Brandon Creek, the most remote portion of the Peninsula. A hiking trail winds up Mt. Brandon, the highest peak on the Peninsula and the second-highest in Ireland, but we knew better than to attempt it with bad weather approaching. We stopped at Gallarus Oratory, an early Christian church, and then got drenched when the clouds finally unloaded on us during the final stretch back to Ballyferriter.

In short:

Padded biking shorts: 35 euros.

Two bags of Kellogg’s granola: 7 euros.

Water bottle cage & patch kit: 10 euros.

Cycling 311 miles down the Wild Atlantic Way to meet one of my best friends from Ireland? Priceless.

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Better than the Notebook: A Love Story for the Ages

You know those cheesy romantic comedy movies? The ones that everyone actually enjoys but some people pretend to hate? I love those. You know how it goes: couple meets, couple falls in love, couple splits up, then at the end, usually with the help of a dramatic gesture, couple reunites and lives happily ever after. This is like that, but real, and with far more passion than a Gosling-McAdams kiss in the rain.

During my college search as a senior in high school, my mom suggested that we visit Villanova. Since it was my mom’s idea, I was immediately and passionately against it. Of course, moms are always right, and when I visited, it was love at first sight. Couple meets.

My freshman year, the basketball team had its worst season in years. Despite going 13-19, I was bursting with school spirit, and purchased a full wardrobe of Villanova gear from the bookstore. Couple falls in love.

Sophomore year was an absolute roller coaster. In the same season, we lost to Columbia by 18 points at home and beat 3 top-5 teams, Louisville, Syracuse and Georgetown. We made the NCAA tournament, but lost to North Carolina (the bad guys) in the first round. On the whole, it was a solid year for a rebuilding team. Couple dates.

Junior year was a good year. We were a top-15 team for most of the season, and a 2-seed in the tournament. We were poised for a deep run, but then we ran into the Shabazz Napier buzz saw as 7-seeded UConn rolled to a national championship. It hurt, but at least we lost to the eventual champions, and we had a strong team returning for my senior year. I was willing to move past the hurt and put my faith into the one I loved yet again, like so many of our rom-com heroes. Couple’s first fight.

Senior year we had a transcendent season. 33-3, Big East regular season and tournament champions, and a number 1 seed in the NCAA tournament. This was it, a storybook ending for my college career was imminent. Until it suddenly wasn’t. A loss to 8-seed NC State derailed our dream season. It was a very rough patch in our relationship: tears were shed, and I felt foolish for trusting them again. Couple hurts each other.

Inevitably, as soon as the next season kicked off, I had all been sucked back in by the alluring charm of the Villanova team. We played well and earned a 2-seed in the tournament, and nearly every bracket in my college pool had Villanova winning it all (admittedly with a fair amount of skepticism.) Couple begins to trust again.

What followed was a merciless roll through the South region: utter destruction of UNC Asheville, Iowa and Miami en route to a matchup with Kansas, the number 1 overall seed, for a spot in the Final Four in Houston. In a hard-fought battle, we knocked off the Jayhawk juggernaut around 4 am and I was euphoric. Couple dates again.

One week later, it was time for the Final Four. After calling around, I found that just one pub in the entire city of Dublin would be showing the game. I had two friends from Villanova staying with me that weekend, and we sent out the call to every Villanova fan we could find. We then watched as we demolished Oklahoma — BY 44 POINTS. It was 2 am in Dublin, I was crying tears of joy, and suddenly we were one win away from eternal glory.

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Impromptu ‘Nova crew watching the Final Four

Shortly after our smackdown of the Sooners, the University of North Carolina dispatched Syracuse to set up a Mitchell Scholar showdown between Sasha and Tom (aka the villains) and me. The championship game started at 2 am on a Monday night, so I was watching alone in my room. The game was one of the best college basketball games I have ever seen. After Marcus Paige hit that ridiculous double-clutch 3-pointer to tie the game with 4.7 seconds left, the stage was set for dramatic ending. The final seconds will be forever etched into my brain: Jenkins inbounds to Arch, Chef sets the screen near half court, Arch flips the ball to the trailing Jenkins and sets a pseudo-screen to give him just enough space to let fly a 3 at the buzzer. Then, as Coach Jay Wright so eloquently said, “Bang.” Just like that, Villanova had its second National Championship in school history. Couple kiss in the rain.

Villanova’s entire tournament run led to a number of special memories that I will never forget, including the single happiest moment of my Mitchell year—recounting the final seconds of the championship game with Senator Mitchell. Couple lives happily ever after.

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Making Work

As a part of our course requirements at The Lir, the MFA directors present a new short piece (scene, devised work, choreography, installation) every week of the first two terms, totaling approximately twenty-four pieces between September and March. This is in addition to our academic coursework and has been the source of extreme frustration and profound creative development. Casting, rehearsing, sourcing costumes, props, lighting and sound on a six-day turnaround felt, at times, completely impossible. Each week I banged up against the challenges of creating theatre in a foreign city with no budget. I yearned for my collaborators back in NYC who I’d have corralled into volunteering, or the Jack’s 99 on 32nd St where I could find multi-packs of any color of disposable cup I needed for $1, or the creative and eccentric friends whose apartments are like props storage, where someone would undoubtedly have an antique candle snuff that I could borrow for a day or two.

After a particularly vexing day of attempting to source props (WHY DOES NOTHING I NEED FROM AMAZON.CO.UK SHIP TO IRELAND?), I had an epiphany of sorts. My angst, my stress-levels, my constant exhaustion and frustration, my fears that I won’t be able to actualize the bigger, more abstract ideas are all growing pains. By transplanting myself into a new creative city and network, I’ve had to work doubly hard to access resources that I took for granted before and it has opened the way I solve artistic ‘problems.’ Instead of running with my first impulse, these roadblocks have forced me to come up with second, third and often fourth alternatives, which sometimes ends up being the most interesting. In the instances that I decide my first instinct is the one I must follow, I feel much more confident in taking bold steps, like spending most of my March stipend on 350 white latex balloons and enough popcorn to feed 85 audience members (worth it). I consider my choices more rigorously and pragmatically and it has had a tangible impact on the work itself.

It was a tough decision, but I ultimately chose a MFA over a MA or a MPhil because I knew I wanted to spend my year making as much new theatre as possible and forming as many practical relationships as I could. I knew I’d be signing away most of my travel/ exploring time, but I honestly don’t feel that I’ve missed out. I’ve learned so much about the theatre traditions here and it has undoubtedly informed my approach to and contextualization of theatre. I’ll be in Dublin rehearsing away until mid-July, but I’ll leave with an expanded portfolio of projects and processes that have been invaluable to my development. Here’s a small sampling of some of the bigger pieces I’ve created/ collaborated on this year.

DECEMBER 2015

AIN’T NO RAINDROP WHEN SHE’S GONE
Performance inspired by an excerpt from The Waste Land, T.S. Eliot
@ the lir

Dead mountain mouth of carious teeth that cannot spit

. . .

If there were water
And no rock
If there were rock
And also water
And water
A spring
A pool among the rock
If there were the sound of water only

. . .

But there is no water

Performance: Keelie Sheridan — keeliesheridan.com
Design & Concept: Valentin Peter Eisele

MARCH 2016

OCCUPIED
Devised Project – ‘Revolution’ @ the lir

“And now you’re here. I saw you. The camera saw you. And by the way, might I add, you all look terrific. You really do. You look happy. You look together.”

He turns to take a selfie with the audience. Flash.

“I was there, too. I mean, I am here, too. Now. With you. The camera saw us. We’re happy. We’re together. We’re a part of something. And I have proof. “ 

Actors: Aron Haggerty, Amy Hughes, Ciara Smyth, Colin Smith, Jerry Iwu
Director: Keelie Sheridan — keeliesheridan.com
Light: Colm McNally cmcndesign.com
Set = Costume: Valentin Peter Eisele

Stephen, Dan, Rishi and Julianne were in the audience!

 

MAY 2016

Spring Awakening– by Frank Wedekind in a  New Adaptation by Anya Reiss

Studio One @ the Lir

Anya Reiss’s fearlessly contemporary adaptation of this always controversial classic repositions Wedekind’s challenging story of emerging adolescent sexuality in today’s world of easily accessible pornography, cyber bullying and self-harm. Originally set in the late 19th century in Germany, Reiss’s up to date version reflects the same intensity and confusion felt by a group of teenagers who are over-pressurised by a demanding education system, their peers and their parents. Completely ill informed about sex and relationships due to a repressive society and their parents’ silence on such matters, the teenagers turn to each other for support.

Director- Selina Cartmell
Set and Costume Design- Katie Davenport
Lighting Design- Eoin Winning
Sound Design- Ivan Birthistle
Assistant Director- Keelie Sheridan
Assistant Set Designer- Colm McNally
Assistant Costume Designer- Mary Sheehan
Assistant Lighting and AV Designer- Bill Woodland
AV Designer- Brian Kenny
Hair and Makeup- Val Sherlock

JULY 2016

GRIMLY HANDSOME by Julia Jarcho

(European Premiere) @ the Lir

Director: Keelie Sheridan

Costume and Set: Valentin Eisele

Lights: Bill Woodland

Tickets will be available for purchase here in the coming months.

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Winning hearts, changing minds, and making memories

“My experience with Muslims all my life has been terrible. It has been a breathe of fresh air getting to know you. You have an infectious smile and are always happy.”

The opportunity to grow up in the United States was a blessing. I was born into a Muslim family, but I did not embrace my faith until I became an adolescent and awakened to the inequities of the world. By embracing God, I found my calling through my religion: to positively impact one person’s world at a time, even if I could not change the whole world.

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This past year, I have become deeply involved in many facets of Maynooth University, Dublin city, and Ireland as a whole. Outside of a rigorous and diverse course load that includes science and humanities courses, I’m also engaged with several organizations, and try to be at the pulse of the entrepreneurial scene in Ireland. By wearing the hats of an entrepreneur, scientist, and student, I naturally connect with a vast amount of people. Through these roles and others, I am in regular contact with stakeholders throughout the university community, including students, faculty, staff, administrators, and I’m in a good position to understand their various needs. I also enjoy attending seminars and workshops at Maynooth and across Ireland. I am the type of person who is constantly meeting with and talking to new people. Based on my background and noticing a need, I focused on improving entrepreneurship with regards to the undergraduate and graduate community.

In terms of entrepreneurship, Maynooth is a leader for innovation and commercialization. They are making huge investments towards incubation centers, funding mechanisms, and improving business development strategies. While this focus is great for faculty, the student movement towards these resources has been slower. I became involved with the EDEN Entrepreneurial Center and the MaynoothWorks program to see if I could better understand resources available and connect students to them. Through the EDEN Center, I met with young entrepreneurs and acted as a support mechanism for the entrepreneurship competition. The EDEN Entrepreneurship Challenge is an annual event that allows students to pitch ideas and compete for small cash to support their concepts. I met with various young entrepreneurs and learned about their ideas and dreams. I’ve found from personal experience that if you ask enough questions, you begin to see the creativity wheels turn in their heads and outside the box ideas surface. I was also asked to attend the finals and showcase my venture as an example of what students can accomplish in front of a room filled with judges and members of the public. I received extremely flattering comments about my presentation and the organizers presented me with the following award.

“Special Eden Entrepreneur and Ambassador Milad Alucozai”

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The second major event I organized was MaynoothWorks first Fireside Chat. Over the course of the year, I began a relationship at MaynoothWorks, an incubator and resource center designed to help entrepreneurs convert their ideas into a scalable business. By working with their management, we created an event geared towards the undergraduate and graduate community to help showcase the resources available to them, meet with a number of entrepreneurs, tour the new facility, and shared our experiences in entrepreneurship. One of the other speakers was Ollwyn Moran, an Irish entrepreneur who has launched three products internationally and is well on the way to building a valuable brand.

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One of the specific aims of the evening was to bring home the thought that a critical success factor was getting the sleeves rolled up and and of course being willing to learn by failures. Many would be entrepreneurs often start off searching for the “perfect” way to bring their product to life which can waste time and effort and be the cause of a lot of frustration. The theme of the evening was it’s all about implementation after the right level of consideration. My goal is for the fireside chat to become an annual event that puts a focus on engaging with undergraduates and providing them the tools they need to create success that will filter back down to the university.

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The academic semester officially wrapped up last week. It has been a time of mixed emotions, relief that exams are over, but filled with bittersweet goodbyes to all the friends I’ve made while in Ireland. At one of the going away parties, I had a friend take me to the side and tell me about what her interactions with me have meant for her. She had very bad experiences with Muslims when living abroad, and she claims I changed her mindset and made her curious about Islam and what it teaches. This is one of the most powerful moments this past year in Ireland. There is no better feeling than when you change minds by action and attitude. I strive to be a good Muslim; I stumble a lot, but I try to get back on my feet and keep going. The best way to change the hearts of others and for them to see the beauty of my faith is by leading by example and making it part of every aspect of my life.

I will miss my fellow Mitchell Scholars, who I’ve become close with over this past year. I know the future is bright for all of us, and they will all be strong leaders in their desired fields. The path will be arduous for us all, but we will never give up!

From now until September, I will be focusing my efforts on my dissertation. Ramadan will start next month, should be quite the adventure with late sunset and early sunrise associated with Ireland.

Please hop over to itunes and purchase the documentary, watch, review, and support the team. Seeing Salam Neighbor come together was an amazing journey.

Click this link to purchase/rent the movie -> http://bit.ly/iTunes_Salam

https://www.youtube.com/watch?v=eTQkDChNftU

If you want to know what I’ve been up to in life, follow me on twitter @miladalucozai

My final blog could not be complete without some more photos! Enjoy.

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Leaving

Coole Park, Gort, County Galway – Sept. 2015

The first month I arrived in Ireland, two friends and I boarded a bus from Galway City to Gort with the three train tickets we had mistakenly purchased (fortunately, the bus driver was very kind – or perhaps merely indifferent). We walked up a steep and gravel road to the entrance of Coole Park – 1000 acres of woods and water, and the former home of Abbey Theatre co-founder and Yeats confidante, Lady Gregory. It was here that Yeats and other writers leading the Irish Literary Revival regularly met, gathering inspiration and solace from what the former referred to as “the most beautiful place on earth.”

After passing beneath an endless shroud of trees, their trunks patched by moss and their arms already shedding colored leaves, we finally found the park’s most famous tree: “The Autograph Tree.” Pressing my face up to the bars of its iron cage, I could distinguish the letters “GBS” carved in large and audacious letters. Here, the playwright George Bernard Shaw had signed his personhood into the tree’s flesh and here, a part of him, stubborn to the passage of time and life and death, still persisted. His initials were joined by those of Jack B. Yeats, Sean O’ Casey, and J.M. Synge; they too had been here once, maybe many times even, and yet, like Shaw, they had never departed.

There are some places, I realize, that never leave us, and we ourselves never leave. They will beat, and beat forever, with the breath of those who have come and been and gone, but still remain. Coole Park, I think, was one of those places – one where past, present, and future ran evenly and parallel to one another like the concentric circles that reveal a tree’s age. So many had wandered through its leafy gates over the past months and years and centuries to hear the quiet rush of its disappearing lakes. That day, it had been me – and days, and seasons after, it would be others.

The older I get and the more everything seems to always be changing, it seems I have grown increasingly reliant on such places – ones whose histories I enter and who themselves become a part of my own history. They form an internal and sentient map, one that both roots and connects me. These are the places we make enduring homes out of, able to return to again and again, even if only in our memory. And now, so soon to returning to the United States, leaving behind the many such homes I’ve made in Ireland and throughout my travels this year, this is the thought that comforts me the most.

The poet Seamus Heaney once wrote: “If self is a location, so is love.” These past nine months I’ve spent on and near this island, I feel I must have seen and visited love many times: in cathedrals and castles and ancient ruins; on hilltops with sunsets that blanket entire cities; on park benches and languid beaches; in museums and gardens and ports; in rivers that run through mountains and beneath bridges; on ordinary streets filled with people and sounds and life. There have been places that have made me wonder and places that have made me weep; places with which I immediately become old friends and places with which I still remain strangers.

All these places, I have left or now must leave – but never will let go.  So that someday, many years from now, I can still look back on this hidden map to which they belong and which I will always carry, and say: here, I remembered something from my childhood; here, I grew closer to someone I knew; and here – here, I was immensely, and completely, happy.

Posted in class of 2016, National University of Ireland Galway, Travels in Europe, Travels on the Island, Uncategorized | Leave a comment

Final Thoughts on an Incredible Year!

It’s hard to believe that this wonderful year is already coming to an end! Without a doubt, this has been the most incredible year of my life – I’ve had opportunities to study alongside leading global scholars in the field of conflict transformation, to meet fellow students interested in the topic from all over the world, to dive into the complex topic of the inter-relationship between conflict, in-group violence, and violence against women, and to travel around Europe whenever possible to witness history and culture first-hand.

Right now, I am in the middle of writing my final papers for my classes. I have chosen some exceedingly interesting topics (well, at least they are interesting to me…): one paper, written as a blog post for lawyers, is on the international and regional laws addressing forced prostitution (and what that even means). Another is addressing the extent to which human trafficking is a migration issue, focusing on how international law attempts (and arguably fails) to protect the human rights of those affected. A third is on the potential of the Council of Europe’s Istanbul Convention to combat violence against women, compared to the Convention of Belém do Pará.

If you know me at all, you’d know that the theme uniting my topic choices is not a surprise. I’ve long been interested in the academic study of violence against women, particularly in methods of prevention and victim protection. This year, I’ve tried to approach that topic from a variety of perspectives. Instead of focusing solely on campus sexual assault, as I did as an undergraduate, I’ve sought to understand violence against women on an international scale as it exists within communities, in systematic transnational organized crime, as a result of trafficking, forced prostitution, and sexual exploitation, and especially during and after conflict. More on that last part: for the rest of the summer, I will be completing interviews, coding, analyzing data, and ultimately writing my dissertation, which explores the environment of violence against women in Belfast. I hope to discuss the extent to which the past conflict here has impacted current patterns of violence against women.

Now that I’ve written about my school activities – enough academic stuff!! I’d like to share a little bit about my major takeaways from the year, now that it’s nearly over. I came to Belfast hoping to learn more about the world, about Ireland and the UK, about how women are represented in different cultures, and about violence against women in its many forms. I will finish this year having spent my time split between learning in Belfast and traveling Europe to broaden and strengthen my understanding of the world. I think both aspects of my experience here have been vital to my understanding of the world that women face.

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Example of an adventurous trip: hiking Ben Baun, the tallest mountain in Connemara

Violence against women seems, to many, to be a niche topic – “there are shelters for that, right?” But it’s not a neat little topic that you can fit into a box or chat about amiably at Thanksgiving Dinner. And because I want to spend my life combatting it, learning how to prevent it, and working to improve protections and services for victims and survivors, I feel that I have a responsibility to learn about its many facets and interrelated topics. Violence relates to nearly every aspect of society – and an academic approaching the topic needs to understand gender theory, conflict, violence theory, politics, law, cultural differences, historical patterns, and much more. Being able to dive into many of these topics during this year, both inside and outside the classroom (while I’ve traveled, visiting museums and exhibits about women, conflict, and forms of gendered violence have been a priority), has helped me appreciate the depth and breadth of this topic – and the challenges I have in my future if I truly want to make a difference. It is impossible to describe how grateful I am to have had this opportunity to expand my understanding of this topic, and of the world, this year through the Mitchell Scholarship.

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Myself (left) and fellow Mitchell Scholars, Rishi Ahuja (center) and Keelie Sheridan (right) pondering life while visiting Dunluce Castle along the north coast of Northern Ireland.

 

Posted in class of 2016, Conflict Resolution, Northern Ireland, Queen's University Belfast, Travels in Europe, Travels on the Island | Leave a comment

Into the Twilight

OUT-WORN heart, in a time out-worn,
Come clear of the nets of wrong and right;
Laugh heart again in the gray twilight,
Sigh, heart, again in the dew of the morn.
Your mother Eire is always young,
Dew ever shining and twilight gray;
Though hope fall from you and love decay,
Burning in fires of a slanderous tongue.

 

–“Into the Twilight,” WB Yeats.

 

It felt appropriate to start this blog with another Yeats poem, especially the above excerpt from “Into the Twilight.” I am currently in the midst of the twilight of my time in Ireland, as I will be returning to America in just a few short weeks. It is hard to believe that this year has passed by so quickly. I have done and seen a great deal; the memories of the past 10 months will stay with me for the rest of my life. Yet even with superficial similarities between the timeline of my own Irish experience and the title of this Yeats poem cast aside, similar themes persist when I reflect on the deeper meaning of those words written above. Specifically, I think of Yeats’s reference to an “out-worn heart,” and “mother Eire.”

 

Around this time one year ago, I was preparing for both a wedding and to spend a year in Ireland. I was also approaching the conclusion of my third year of medical school, traditionally held to be the most difficult of the four years spent pursuing an MD. It was a very busy and a very stressful time. While I was filled with joy and excitement at the prospect of a wedding and a move to Europe, I was feeling the effects of a particularly challenging academic year. I was looking forward to the change of pace and shift in focus that I knew would accompany my time in Ireland. In Ireland, the “out-worn heart” learned to laugh and to sigh once again. I was able to pursue long-held interests like the study of Irish language, Gaelic football, Irish history, and more.

 

My favorite experiences from this year have been those spent with family and those spent exploring my roots, learning more about where the people who came before me were from. Over the past nine months, I have seen the birthplaces of five of my great grandparents; I have walked around their hometowns, visited the graves of their parents, and tried to imagine what life was like for them in early 20th century Ireland. In a few weeks, when my parents and grandmother come to visit me shortly before my wife and I head home to the United States, we will visit the hometown of two other great grandparents, Thomas O’Brien and Anna Shanley, who were the parents of my grandmother who is coming to visit. When I first came to Ireland in 1998 with my family, we visited Grandma Anna’s childhood home in Leitrim; a photograph of this trip sits on my desk. When I return at the end of this year, I will recall that while my family’s story in Ireland stretches back generations, this constant pattern of rediscovery displays that “mother Eire is always young.”

 

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Go Heels!!!

So, in one of my previous blogs (which you can find here: January Mitchell Blogs , and scrolling down until you see “Shoutout to Papa”) I tell a bit of the life story of one of my biggest heroes, my grandfather, affectionately known to pretty much everyone as “Papa”.

Papa was born in a little village in northeastern Poland called Plociczno sometime in November 1935. He lived under Nazi occupation from 1939-1944, until his family was forced to flee their home in the middle of the night to avoid an advancing Soviet army (his father had been a leader in the failed 1917 Ukrainian War of Independence, and would have been executed by any Soviet forces). After being forced to work in a German labor camp until the end of the war, Papa and his family slowly made their way across Europe and then to the United States, where Papa would become an All-American soccer player, meet my Gramma, and eventually become the greatest grandfather of all time.

Anyway, in my prior blog, I talk about a conversation I had with Papa where he showed me Plociczno on google maps, told me stories about life under Nazi occupation, and mentioned that he had never returned to the village he was forced to flee 72 years ago. I then promised Papa that I would go visit Plociczno for him, and he could see it through my pictures and videos. We both thought that was pretty cool.

And then I did it!!!!!

With the help of some extended relatives, I managed to get the email address of my great-grandmother’s sister’s granddaughter Monika Prokopczyk, still living in the nearby town of Suwalki. And on April 27th, after a two hour bus ride to Dublin, three hour flight to Warsaw, and six hour bus to Suwalki, I got to meet my incredibly kind and loving family in Poland for the first time.

Suwalki WordPress
Meeting my family in Poland for the first time!

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This is a picture of me as a baby that my Polish relatives had in a photo album in their living room. Two months ago I didn’t know I had relatives in Poland.

The next day we took a trip out to Plociczno, and after talking with the man who currently lives there, I got to walk through the house Papa used to live in.

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Standing outside Papa’s home!! I am very thankful North Carolina does not snow in late April

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Made it to Plociczno!

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For the first time in months I got to eat real-people sized food. I must be Polish!!

 

Even disregarding how awesome it is to meet long-lost relatives in a far-away country, I am truly blessed to have had this experience. With some help from my lovely personal videographer for the weekend, Rachel Green (thanks Rach!), we got a lot really great video of Plociczno, and we even got each family member to introduce themselves and give a short message to Papa in Polish. I should be able to turn it into a pretty sweet montage, and I think it will make a fitting Christmas present for the greatest Papa ever.

Anyway, I don’t want to end my last blog from Ireland by talking about Poland (though I had to spend most of my blog talking about it simply because it was SO COOL). I am truly thankful for the year I have had here in Ireland, though I can’t believe it’s already over. The friends I’ve made and the experiences I’ve had will last me for a lifetime, and I am beyond grateful that I was fortunate enough to be selected for the Mitchell Scholars program. And, as all truly great blogs must end: go heels!!!

 

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Growing Up in an Irish Dancing Household

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Disclaimer- this isn’t an Irish dance photo- it’s a ballet photo, but I’m in Dublin and my photo albums are at my mom’s house and I got the idea to write about this 10 minutes ago. Imagine less tutu and more appliques.

Growing up in an Irish dancing household means that St. Patrick’s Day is a. big. deal.  It’s the Superbowl of the Olympics of the Oscars of the ChristmaHannuKwanzukah of every other big deal day you’ve ever celebrated. It’s not for the faint of heart, or really, anyone who’s pregnant or injured or under the age of 15 or over the age of 60 but you’ll adjust, don’t worry. ‘Oh- you want to stop dancing when your toes start bleeding? TOO BAD.’  ‘Oh- you’d like to get home before 1:30a because it’s a school night and you’re 11? STOP WHINING.’

St. Patrick’s Day as an Irish dancer is a really big deal. Why?

1 )St. Patrick’s Day means GETTING OUT OF SCHOOL. My dance master was also a talk master and could convince any principal that the cultural education her dancers would receive schlepping around to a million performances before ending up hosting a ceíli at a pub full of drunk revelers FAR outweighed whatever we were learning in the fourth grade (or any grade) that day. My dance master, Terri, was a magnificent example of being loved and feared in equal measure. Here we are together last summer, 20+ years after first shouting at me to keep my hands by my sides and stand up straight. Photo is to scale (I’m not tall). Don’t let her size fool you. She is not to be trifled with. I love her.

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2) St. Patrick’s Day means getting FREE ICE CREAM AT STEWARTS if you wear green, which we wore all day long because we only took off our green costumes long enough to get into our green warmups and there are approximately a bajillion Stewarts’ in upstate New York so every time you pass one, you get another free ice cream! (It’s now $0.50/ cone. In case you were thinking about it.)

3) St. Patrick’s Day means slathering your hair with mousse on the 16th and sleeping in these medieval torture devices and leaving them in during breakfast in a restaurant with the rest of your dance school while your mom tells you not to be cranky and you’re like “mom you seriously have no idea it hurts so bad it’s so tight it’s pulling out my brains please take these out oww.”
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4) If you’ve outsmarted #3, it’s because you’re wearing #4. That wig’s name was Sinéad, and she was kind of a jerk.

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6) St. Patrick’s Day means ALL OF THE COSTUMES. ALL DAY. How many do you have? Bring ’em. You’re gonna need them.

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Sure, but sparklier. And SHORTER.

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OK, fine, but do you have anything with more sequins?

10400677_507533189213_9598_n10400677_507533179233_9156_n10400677_507533249093_3066_n Ding ding ding! Gold mine.

6) St. Patricks Day means blisters and chafing. Have you ever experienced sequins-chafing? It’s like regular chafing if regular chafing involved razor sharp little mini-blades that left slice-marks on you for weeks. Cornstarch doesn’t help. Diaper cream doesn’t help. Nothing helps.

Lubriderm Y U NO Soothe My Chafing No More - Lubriderm Y U NO Soothe My Chafing No More Y U NoBut honestly, St. Patrick’s Day as an Irish step dancer is an experience everyone should have because it’s glorious and exhausting and silly and beautiful. My childhood would not have been the same without it. This past St. Patrick’s Day I offered free Irish dancing lessons to strangers in the Times Sq. Subway Station.

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My friend Lea who performs ballet in the subway lent me her speakers and I set up for a few hours and repeated a few of my favorite ceílis (the Siege of Ennis, the Walls of Limerick, the Bridge of Athlone) over and over.

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Several of my friends turned up. Lots of people I didn’t know jumped in our circle and started dancing.

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I felt so incredibly thankful to my parents and dance teachers for giving me the opportunity to learn a skill that I could use to bring people together. I’ve loved ceílis since I was young- they have a magical ability to make people less self-conscious and so vibrantly open. It sounds trite, but watching people’s faces when they’re ceíli-ing is one of the most beautiful sights in the world. Everyone devolves into a laughing, sweating, heavy-breathing mass and no one’s worried about looking cool. If only every day could be like that.

I’m horribly under-the-weather for my first St. Patrick’s Day in Dublin. I’ve been warned that the city-center will be a wild mob for most of the day, but I’m hoping to muster enough strength to poke my head out from Trinity’s walls to breath in a bit of the atmosphere, and maybe turn a step or two. Regardless of how you celebrate, I hope that wherever you are you take advantage of the fact that everyone’s Irish on St. Patrick’s Day.

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TGIT: Thank God It’s Tuesday!

“Monday you can fall apart,

Tuesday, Wednesday break my heart,

Thursday doesn’t even start,

It’s Friday I’m in love.”

— The Cure, from “Friday I’m in Love” (a Ukulele Tuesday favorite)

As much as I like a good ol’ fashioned Friday, my true calendar love is the often overlooked and underappreciated Tuesday. My relationship with Tuesdays began in college with the phenomenon known as “Taco Tuesday,” which, in addition to being delightfully delicious, appeals to my adoration, admiration, and affection for alliteration. The early stages of this budding romance were exciting and new, but Tuesdays and I were not what one might describe as “exclusive.” When I moved to Ireland, Tuesdays changed. They became cold and distant, filled with classes, research meetings, and late nights in the library. Our relationship became rocky. We just weren’t us anymore.

Then one fateful day in November, I was told about a local event at a nearby pub. Every Tuesday night, the Stag’s Head hosts an event called “Ukulele Tuesday,” where a group of about 40 people meet up for a ukulele jam session. Coincidentally, I had just purchased a ukulele about one week before this, so I decided that I would check it out the following week. A few minutes into that first night it became clear that this was something special. It seemed that Tuesdays and I had a chance to rekindle our old flame.

Over the next few weeks I learned the basics of ukulele and practiced new chords whenever I got the chance. Eventually, I printed out the official songbook and decided I was ready to play along. Although I was nervous the first time, I relaxed once I realized that there were plenty of other beginners. That first night I sang and played until my voice was gone and my fingers were numb. My love for Tuesdays had returned, stronger than ever. It’s been a few months since that night, and Tuesdays and I are still going strong. This time around we are taking our relationship to the next level, and are even Facebook Official (https://www.facebook.com/UkuleleTuesday/?fref=ts).

The most surprising and exciting part of rediscovering my love of Tuesdays has been the sense of camaraderie amongst this small, eclectic group of ukulele enthusiasts. After just a handful of jam sessions, I have become good friends with a bunch of fellow ukulele players of all different ages and nationalities. Despite having almost nothing else in common with one another, we have formed a strange yet wonderful little musical family. At times, it can be easy to feel overwhelmed by the assignments, projects, and deadlines that never seem to stop swirling around in my head. However, knowing that I will have the chance to spend at least three hours per week singing and laughing (and usually drinking) with my new friends makes it all much more manageable.

Semi-related note: Rishi and I saw a Mumford and Sons concert on a Wednesday in December, and apparently they stopped in at the Stag’s Head the night before. They heard the group playing their song “Little Lion Man,” and talked about it on the radio the next day:

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My friends and I at Ukulele Tuesday in January

My friends and I at Ukulele Tuesday in January

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I love y’all

Hello friends,

I had a really difficult time thinking of a topic for this blog post. I wrote my last one two months ago, and I really don’t do anything interesting enough to come up with another entire blog post in only two months. So I decided to read through some of the other Mitchell’s blog posts to get some ideas. I came away with a couple different conclusions:

1. My Mitchell friends are really cool and much better writers than me
2. I think only other Mitchells read these blogs
3. Everyone uses lots of pictures except me

So after taking into account all of these conclusions, I decided to write this blog to all my Mitchell friends. Listed (in alphabetical order by first name so Tara didn’t have to go last….sorry Tom) are my favorite pictures with each Mitchell scholar, along with one aspect of their character that I truly admire (I always had to choose among many!)

Dan: Intelligence

While I think this descriptor could be used for any of the Mitchells, Dan’s ability to put large words together eloquently in a sentence when discussing monetary policy, refugee crises, macroeconomics, or really anything else that adults talk about baffles and awes me every time.

Dan!
Dan and I helping Keelie adjust to Ireland by helping her pick out some new sheets

Gavin: Faith

Gavin and I got to room together during our Mitchell orientation in Dublin, and during some fantastic pillow talk I got to hear about how Gavin’s faith drives his decisions and life goals. I consider myself honored to have heard about it then and privileged to see it work in his life now.

Gavin!
Dang we look good

Julianne: Creativity

I truly admire Julianne’s artistic creativity, because it is a gift I will never have. I love talking with her, because every conversation I have with her about her artwork or writing pushes me to think about the world in a way that I would never have thought of before.

Julianne!
No this is not Julianne. This is a swan. It turns out Julianne and I don’t have any pictures together. However, this is a piece of her artwork that can be found at https://rishi-ahuja.squarespace.com/ and purchased to support Childline, a 24 hour confidential listening service, showing that she is kind as well as gifted. We’ll get a picture together soon Julianne!!

Keelie: Queen

While I know “Queen” is technically not an adjective, I couldn’t think of any other words that did a better job describing what I (and everyone else on the planet) thinks of Keelie. Beyonce-esque in her grace, poise, fashion sense and general boss-woman status, it is really hard to over-compliment Keelie. And even if I did she would handle it better than anyone else I know.

Keelie!
The only way this picture could look better was if Jorge was here
Milad: Joyfulness

I don’t know if I’ve had a conversation with Milad that I didn’t come away from smiling, primarily because he was the entire time. Milad’s perpetual optimism and eternal joyfulness make me proud to have him as my friend.

Milad!
Milad and I after he came to watch one of my basketball games!


Rishi: Adventurous

Rishi and I went on a trip to Iceland together this fall, and it was possibly the coolest trip I’ve ever been on. This is partially because Iceland is awesome, but I think primarily because Rishi’s love of exploration and new experiences made it an incredible adventure each and every day.

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Rishi and I werkin it in traditional Icelandic garb

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Two bros hanging out on a mountain in Iceland. Rishi gets two pictures cause I love both of these!!

Rachel: Strength

Rachel is the strongest woman I know, and her strength inspires me every single day.

Rach!
Lol you can’t see Rach

Stephen: Kindness

I’ve gone down to stay with Stephen a couple times now in Dublin, and during each visit I was overwhelmed with his pillow talk wisdom, with what a cool basketball-loving bro he is, and with what a kind and gracious host he was. He even made me breakfast, which anyone who knows how much I eat will realize is actually tremendously impressive.

Stephen!
No words needed

Tara: Thoughtfulness

Tara is one of the most thoughtful people I have ever met. This past fall I took a trip to Galway a week after my birthday, and not only had Tara remembered it, she made me a birthday card and bought me chocolate!! I don’t even remember my own birthday sometimes. I was blown away with her thoughtfulness, especially considering the number of times I have mispronounced her name.

Tara!
This is not a picture of Tara. It turns out we don’t have any pictures together either. This is a picture of the outside of the incredible birthday card she drew me. We will get a picture together soon too Tara!!

Tom: Maturity

While this may sound like one of the lesser cool things to be (who wants to be mature??), considering how little maturity I have I find Tom’s to be incredibly impressive. Kind of like the wise Mitchell-Dad of the group, Tom’s mature perspective, ability to drive manual cars, and advanced knowledge of human anatomy and modern medicine wows every time.

Tom!
Everyone look at how mature Tom looks. Go heels!!!

Finally…

All Mitchells!
Selfie with all my friends!!!

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